GROUP EXHIBITIONS

2021 Award of Merit, Cultural Arts Alliance Juried Show

2021 Cultural Arts Alliance Member Show

2020 Emerald Coast theater Company (Cul tural Arts Alliance Member Show)

2020-2021 “Drawing Parallels,” Regional Juried Show, Museum of Boulder

2018 Cutting Edge: Nontraditional Glass, International juried show, Arts Benicia

2017 International juried show at Sebastopol Center for the Arts

2017 Undercurrents: The Rising Tide of SJSU MFA Graduates, Cabrillo College Got Glass

2017 Undercurrents: Emerging Artists of San Jose, Art Ark Gallery San Jose

2016 Mission College “Not so Heavy Metal”

2015, 2016, 2017 Glass Arts Society International Student Exhibitions

2015, 2016 SJSU Glass Student Show (Curated the 2015 show and exhibited)

2015, 2016, 2017 SJSU MFA Student Shows

2012 MPC Juried Student Show

INDIVIDUAL SHOWS

Within, Pacific Grove Art Center 2019

Thesis Show, Within the Spaces: The Spaces Within, SJSU April 23-28, 2017

ATC show, 13 Ways of Looking at a Blackbird, SJSU 2016

Perchance to Sleep SJSU 2016

Sandyhook Arithmetic, 2014 York School Gallery, Monterey, CA

EDUCATION

San Jose State University, MFA Sculpture 2017

Monterey Peninsula Community College, AA Studio Art, AA Sculpture 2013

University of Virginia, M.A., Dramatic Literature /Criticism, 1988

Yale University, B.A., cum laude, Theater Studies, 1979

 

About

Every summer of my childhood, I spent the majority of each season at my family’s place on the shores of the Potomac River where it widens to meet the Chesapeake Bay.  The house was a rustic, five room, cinder block cabin at the end of a mile dirt road.  By my parents’ design there was no phone, no television, no radio, no car (for many years no hot water either).  My companions were my three siblings and our various pets, and our playground was the river and surrounding woods and marshes. 

This early immersion in the natural world has had an immense impact on my life and art.  I learned to belong to a place, to know it intimately.  The forms, colors, and textures of that river environment occur frequently in my sculptural work, and humankind’s relationship with Nature is a recurring theme.

In my art practice, I am drawn to topics that explore liminal interfaces, moments in which two or more powerful realities exist simultaneously. In addition to humans' relationship with the natural world, topics of my work include memory, relationships, time, and aging.  As an artist, I am particularly drawn to the gaps, which lie between the frozen moments that are the collection of objects and ‘facts.’  It is in these spaces that the imagination can take root in possibility, to say what could have been said.  By their very nature, liminal moments are not linear, and cannot be represented in linear format.  The specific forms of sequencing in my work, like the art objects themselves, are created to tell one version of a story while remaining open enough for viewers to interweave their own narratives.  I attempt to create a metaphor, a poem in visual form.

My design work reinforces my artistic practice by allowing for the exploration of new shapes, textures, and processes. 

Memberships

Glass Arts Society

Society of North American Goldsmiths

Cultural Arts Alliance Walton Beach

Eastern Shore Arts Center

Mobile Arts Council